What I have learnt so far...
Camera - Recently, I have become aware of how important the angle of a shot is to the impression the audience receives of that character. For example, an upwards angle makes someone appear larger and more intimidating whereas a downwards angle makes them appear weaker and cowardly. A key element of camera movement I have learnt is that when a camera tracks, it always tracks left to right as that this the direction that you read in, making it feel more natural. Tracking the opposite way would be a purposeful decision, possibly made to inflict fear or tension, perhaps used in a horror film.
Editing - Previously, I was aware of the things added in post production editing, such as the addition of music, credits and sound effects, however, I have been presented with the idea that the shot length has a great impact on the audience and how it can enhance the importance of a shot. Now, I feel as though shot length is extremely important to a sequence. I have also learnt that editors often use a shot-reverse-shot style of editing when characters are in conversation as well as cutting to a new angle within a sequence when the actor is moving, to ensure it is a clean cut and makes sense with the action. Furthermore, I now know of the 30 degree rule, a very harsh and unpolished effect, and 180 degree rule, when the characters swap positions on screen, that is important to note when shooting (camera) and editing a scene.
Sound - The most notable thing about sound in film sequences is wether it is diegetic or not. Diegetic sound being sound that the characters in the scene would be able to hear, increasing the realism of the scene, and non-diegetic sound being a soundtrack or anything the characters would not hear in the scene. The use of non-diegetic sound is important when setting atmospheres and moods, for example: a horror film would include a fast tempo with loud and impactful instruments whereas a light-hearted sequence in a comedy or fantasy film would comprise of soft instruments and a slower tempo.
Mise-en-scene - Formerly, I was unaware of the types of lighting within a sequence. Presently, I am aware of high-key lighting which carries an upbeat atmosphere or mimics natural lighting to enhance the realism within a scene compared to low-key lighting used to augment tension and trigger the audience's fear of the unknown. Not only that, but the costume, makeup and props within film sequences have great effect and provide the audience with visual clues to the character's personality and background.
All of these elements that form a sequence work in combination to create a large impact on the audience dictated by the director's creative vision influenced by the genre and characters.
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